Black, black, black, black.
Black, black, black, black.
Jesus is the new black,
Jesus is the new black,
Jesus is the new black,
Jesus is the new black, ow!
I grew up in New York City,
Since I was born on Broadway, baby.
Moved downtown when I was just nineteen
To start a new life on the New York scene.
There’s no way I could be stopped,
Was taking my best shot,
I had a better plan.
There’s no way I could be stopped,
Was coming for your spot,
I met better men.
Amen on the runway,
Dressed in his best.
Amen fashion on the runway,
Work it, Black Jesus.
Amen on the runway,
Dressed in his best.
Amen fashion on the runway,
Work it, Black Jesus.”
[ Black Jesus † Amen Fashion – Lady Gaga ]
I don’t really know how to consider this photo in relation to Amen Fashion – if it’s a sequel, a prequel, if they are related at all or go on their own, but here it is. Taking two separate photos for the Black Jesus and Amen Fashion halves of the title was my plan from the beginning, and I can say the two photos turned out two polar opposites: monochrome vs colour, indoors vs outdoors, dark vs light, long-pondered concept vs sudden gust of inspiration… maybe this is what well make them go along eventually.
There is a bit of an inside joke on this photo, because once I was out spotting a rather neglected beard, but was dressed quite well as usual. On a bus, a little girl was staring at me, then all of sudden asked her mother: “Mom, is that boy Jesus?”. I don’t know what kept me from replying: “No, sweetheart, I’m too well-dressed. I’d rather be the Antichrist.”, but that’s basically how I got the idea of a fashionable Black Jesus with a bramble brooch on the beret instead of the crown of thorns. And here we go: the brooch was the hardest thing to come by for the shoot, but at least it’s done now. I had a lot of fun both thinking and actually doing it because, for some reasons, I bloody enjoy twisting christian imagery. Maybe because it’s so morbid and perverted on its own and appeals to my murkiest side.
I really wish I could speed up this project, but for some reasons it turned out to be slower than I expected. I guess that’s because many songs are about couples, which are scarce to find (especially couples where both partners are photogenic), and a lot because I feel more committed to my other projects. Besides, I have most of Born This Way and the whole The Fame Monster mapped out, am working easily on Artpop, but most of The Fame songs just stay silent. I just have no chemistry with most of that album. So, I guess I will take one step at a time without trying to rush this project out. I don’t know, let’s see.
There is a bit of an inside joke on this photo, because once I was out spotting a rather neglected beard, but was dressed quite well as usual. On a bus, a little girl was staring at me, then all of sudden asked her mother: “Mom, is that boy Jesus?”. I don’t know what kept me from replying: “No, sweetheart, I’m too well-dressed. I’d rather be the Antichrist.”, but that’s basically how I got the idea of a fashionable Black Jesus with a bramble brooch on the beret instead of the crown of thorns. And here we go: the brooch was the hardest thing to come by for the shoot, but at least it’s done now. I had a lot of fun both thinking and actually doing it because, for some reasons, I bloody enjoy twisting christian imagery. Maybe because it’s so morbid and perverted on its own and appeals to my murkiest side.
I really wish I could speed up this project, but for some reasons it turned out to be slower than I expected. I guess that’s because many songs are about couples, which are scarce to find (especially couples where both partners are photogenic), and a lot because I feel more committed to my other projects. Besides, I have most of Born This Way and the whole The Fame Monster mapped out, am working easily on Artpop, but most of The Fame songs just stay silent. I just have no chemistry with most of that album. So, I guess I will take one step at a time without trying to rush this project out. I don’t know, let’s see.
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